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1. #Monal gajjar navel movie#
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During the 1960s, Barbara Eden was not allowed to show her navel on the NBC TV show I Dream of Jeannie (1965–70).

#Monal gajjar navel code#

In 1951, the United States Code of Practices for Television Broadcasters came into force, which, besides other things, prohibited female navel exposure on American television. Television īarbara Eden in a publicity photo of 1960's TV show I Dream of Jeannie In the 1989 musical-fantasy film The Little Mermaid, the lead protagonist, Ariel, revealed her navel while wearing only fins and a seashell bra, a first in Disney's history.

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The exposure of the navel ceased to be controversial in the context of a general increase in nudity.Ī notable Post-Hays live-action film example is Carrie Fisher's role as Princess Leia during the beginning of Return of the Jedi after being captured by Jabba the Hutt, where she wears a metal bikini, which exposes her bare midriff.ĭuring the late 1980s, animated heroines began exposing more skin as well. With the withdrawal of the Code and the change to a classification regime, the ban on the exposure of parts of the human body that had previously been regarded as immodest or indecent was withdrawn and with it, there was an increasing level of body exposure over time. The influence of the National Legion of Decency had also waned by the 1960s. The Hays Code was abandoned soon after, with it the prohibition of female navel exposure and other restrictions. In the 1967 film Follow That Camel, actress Anita Harris wore a jewel on her navel for a belly-dancing sequence.

#Monal gajjar navel movie#

However, when Annette Funicello was cast in her first beach movie Beach Party (1963), Walt Disney, who held her contract, insisted that she only wear modest bathing suits and keep her navel covered, to preserve her wholesome persona, though she was the only one of the ample number of young women in the film not bikini-clad. No, wore her iconic white bikini, which exposed her midriff and navel. Marilyn Monroe was allowed to expose her navel in Something's Got to Give (1962) and later commented, "I guess the censors are willing to recognize that everybody has a navel." Ursula Andress, appearing as Honey Ryder in the 1962 James Bond film, Dr. )īy the 1960s, community standards had changed. (The film was condemned by the National Legion of Decency, but for other reasons. I got a terrible infection from it." Marilyn Monroe, for a scene from Some Like It Hot (1959), wore a dress that revealed skin everywhere but had a small piece of fabric to hide her navel. Kim Novak wore a ruby jewel in her navel for the film Jeanne Eagels (1957) saying in an interview, "they had to glue it in every time. To get around the censors' guidelines, she wore a jewel, a ruby, in her navel.

#Monal gajjar navel series#

įrankie Avalon and Annette Funicello in publicity photo for the series of Beach Party films, 1963ĭuring the 1950s, Joan Collins was prohibited by the censors from exposing her navel in Land of the Pharaohs (1955). The National Legion of Decency, a Roman Catholic body guarding over American media content, also pressured Hollywood to keep clothing that exposed certain parts of the female body, such as bikinis and low-cut dresses, from being featured in Hollywood movies. In the United States, the Motion Picture Production Code, or Hays Code, enforced after 1934, banned the exposure of the female navel in Hollywood films. Exposure of the navel by females is commonly associated with the popularity of the bikini, the crop top, and low-rise clothing.

The exposure of the male navel has not been as controversial nor as common, and is usually in the context of barechestedness.

#Monal gajjar navel professional#

It is also inappropriate to wear clothing that reveals the midriff in professional settings like places of work. Although American teenage girls are more likely to wear shirts that reveal their midriffs, this kind of clothing is often banned in high schools and stores. Ĭommunity perceptions have changed and exposure of female midriff and navel is more accepted today and in some societies or contexts it is both fashionable and common, though not without its critics. Eventually, only female navel exposure was banned and not male because, it was argued, the simulation or upward displacement from vagina to navel was commonplace and obvious in women. The public exposure of the male and female midriff and bare navel has been taboo at times in Western cultures, being considered immodest or indecent.